Andra Ursuta makes work fuelled by her memories and fears. Her sculptures and installations are often wry, poignant, self-deprecating, melancholic, nostalgic and apocalyptic. She mixes media such as cement, plaster, marble, found objects and wood to develop new ways of viewing the world and processing her memories and fears. Her latest body of work grew out of her fear of death, which fuels her obsession with the subject. She avoids cemeteries but makes imaginary visits to graveyards as a cathartic exercise. For the Frieze Art Fair Projects in 2012, she made a graveyard with marble tombstones featuring abstract, generic shapes. Her cemetery for this show is even more abstract: the vault gallery will be transformed into a shadow graveyard populated with sculptures that are casts of the shadows of tombstones. In Ursuta’s deft hands, we are left to wander a shadow cemetery, empty of souls, yet full of memories.


Hammer Projects: Andra Ursuta is organized by Hammer curator Ali Subotnick and Emily Gonzalez, curatorial assistant.

Andra Ursuta was born in 1979 in Salonta, Romania, and lives and works in New York. She received a BA in art history and visual arts in 2002 from Columbia University. Ursuta has had several solo shows in New York, and her work has been featured in numerous group exhibitions, such as The Encyclopedic Palace, 55th International Venice Biennale, Venice, Italy (2013); Busted, High Line, New York (2013); Expo I, MoMA PS1, Long Island City, New York; Ostalgia, New Museum, New York (2011); and Looking Back / The Fifth White Columns Annual, White Columns, New York. This is Ursuta’s first solo museum exhibition in the United States.